Ectomobile replica vehicle owned by a Ghostbusters fan. It had been converted into an ambulance by the Miller-Meteor company in Piqua, Ohio, which built limousines, ambulances, and hearses. The film crew eventually purchased a 1959 Cadillac series 62. For this reason, they decided to paint it bright white. His vision was of a black car topped with white and purple strobe lights imbuing it with a “purple aura.” But much of the movie takes place at night, and the film crew decided that a black Ectomobile would not show up on screen very well. In Dan Aykroyd’s original screenplay, the writer specified that the Ectomobile was a converted 1959 ambulance. The Ecto-1 Ghostbusters car began life as an ambulance It was a central piece of both 1984’s Ghostbusters and 1989’s Ghostbusters II. The Ectomobile’s NY license plate reads “Ecto-1”. It has four headlights, a station-wagon body bracketed by 1950s fins, steel rims, and worn-out chrome. It is easily one of our favorite 80s movie cars. The resulting vehicle is nothing short of zany. Then, they use the unique Ghostbusters car to respond to ghost sightings and hauntings all over the city. Next, they convert the ambulance’s pull-out gurney into a rack to hold their ghost-capturing proton packs. They also install a siren, a roof-full of gadgets, and a ladder. Then, they decorate it with their logo and number. | Emma McIntyre/Getty Imagesīut they fix up the long-wheelbase wagon and paint it white. The original Ectomobile at Sony Pictures Studios. To the shock of Venkman (Murray), Stantz admits the 25-year-old vehicle needs “suspension work and shocks, brakes, brake pads, lining, steering box, transmission, rear end… maybe new rings, also mufflers, a little wiring…” To make matters worse, Stantz says he paid $4800 for the jalopy. Ray Stantz (Aykroyd) arrives at their base in a 1959 Cadillac hearse and announces, “Everybody can relax I found the car.” Dan Aykroyd wrote the script and starred alongside Bill Murray.ĭuring the movie, the team decides they need a dedicated Ghostbusters car to respond to supernatural emergencies. In the 1984 paranormal comedy film, Ghostbusters, a team of parapsychologists battle ghosts haunting New York City. The Ghostbusters car is based on a 1959 Cadillac Ectomobile replica vehicle owned by a Ghostbusters fan. This fictional station wagon had a fascinating story, and the car used in the original movie survives to this day. It is one of the most memorable cars from movies, of all time. The converted Cadillac is called the Ectomobile or Ecto-1. Many fans love the Ghostbusters car, a rapid-response ghost-busting vehicle. Speaking about the future of the “Ghostbusters” franchise, Reitman said there are already ideas cooking for a potential afterlife to “Afterlife.Ghostbusters is a timeless classic film that has spawned multiple sequels and reboots. As Winston enters the now-abandoned firehouse that served as the Ghostbusters’ headquarters and runs his hand across the Ecto-1, the camera pans to reveal the blinking red light of the spectral containment unit, suggesting there may soon be something strange in your neighborhood. Having paid tribute to a key member of the franchise’s family and planted seeds for a new generation of ghostbusting, the film delivers a post-credits sequence that teases a potential next chapter ahead.īack in New York, Hudson’s Winston, who is now a wealthy businessman, appears to have rekindled the old ghostbusting itch. Harold was a genius from Second City all the way through his career. “It was deeply moving to play the scene because I loved him and I miss him. “There would be no ‘Ghostbusters’ without Harold, without his brilliant writing and his frame of reference,” Aykroyd said. “People have held on to that secret and it’s a real gift to us that people feel protective of it in the same way that we do,” he said.įor Aykroyd, shooting the film’s final sequence, knowing the character of Egon would be standing beside him once again via CGI, was very emotional. Speaking to The Times before the film’s release, Reitman was hesitant to say too much about Egon’s appearance in the film’s climactic moments.
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